John lennon westone guitar double fantasy

вЂIвЂ™m Your AngelвЂ™ вЂ“ later retitled вЂYes, IвЂ™m Your AngelвЂ™ вЂ“ was a pastiche of 1930s show tunes. Not all her songs were of the time, however. вЂKiss Kiss KissвЂ™, in particular, took its cue from the post-punk sounds of CBGBs. Whereas he looked back to his roots, she looked towards the new wave music of Talking Heads, Blondie and the B-52s. OnoвЂ™s seven songs were perhaps more innovative than LennonвЂ™s. Perhaps the greatest emotional punch, however, comes with вЂBeautiful Boy (Darling Boy)вЂ™, a song written for his second son, the lyrics of which were given added poignancy after LennonвЂ™s death just weeks after the albumвЂ™s release. Although written about his life with Ono, it served as an optimistic look forward to this new phase in his recording career. The key track was the lead single, the 1950s-style вЂ(Just Like) Starting OverвЂ™, which was formed from three unfinished song fragments.

The album presented a more mature Lennon than had previously been seen by the public, and was a far cry from the anguished figure he revealed on his first solo album John Lennon/Plastic Ono Band 10 years previously. John LennonвЂ™s compositions for Double Fantasy covered three broad themes: his relationship with Yoko Ono, his love for their son Sean, and his domesticated lifestyle of the previous five years. Work on Double Fantasy finished on 13 October, and the final master tape was made six days later. More overdub sessions were booked for September, and the album was mixed towards the end of that month and into October. The song was later moved aside for a standalone Ono EP, to be titled Yoko Only, but that idea too was later scrapped. Six days later an initial running order was assembled, which listed OnoвЂ™s unfinished song вЂWalking On Thin IceвЂ™ instead of вЂKiss Kiss KissвЂ™. The sessions for the basic tracks ended on 19 August 1980. According to Jack Douglas, the pair found it difficult to work together in the studio, and he arranged the sessions so they were effectively two solo projects. Although Lennon loved the heavy guitar work of the recordings, disagreements with the groupвЂ™s management meant they were reworked by the normal studio band.ДЄlthough the Double Fantasy album presented LennonвЂ™s song interspersed with OnoвЂ™s, they swiftly adopted a recording routine whereby she worked during the day and he arrived in the evening. Guitarist Rick Nielsen and drummer Bun E Carlos recorded versions of вЂIвЂ™m Losing YouвЂ™ and OnoвЂ™s вЂIвЂ™m Moving OnвЂ™. By the end of the Double Fantasy sessions there were around 230 tapes, each lasting 30 minutes.Дouglas was aware of the historic importance of the sessions, and while these recordings havenвЂ™t been widely circulated, sections were broadcast during the Lost Lennon Tapes radio series, on the Westwood One Radio Network from 1988-1992.Дuring the second week of sessions, Jack Douglas brought two members of Cheap Trick into the studio. Initially unbeknown to Lennon, Jack Douglas created what was known as an MCRT вЂ“ Master Control Running Tape вЂ“ which continually recorded the sound in LennonвЂ™s vocal booth. Fourteen of these songs were included on Double Fantasy, while the majority of the remainder were issued on the posthumous collection Milk And Honey in 1984.ДЄt least five songs вЂ“ вЂIвЂ™m Stepping OutвЂ™, вЂBorrowed TimeвЂ™, вЂNobody Told MeвЂ™, вЂWomanвЂ™, вЂ(Just Like) Starting OverвЂ™, and Yoko OnoвЂ™s вЂNobody Sees Me Like You DoвЂ™ вЂ“ were recorded in the first three days. The group recorded 22 songs in around 10 days, including a roughly equal number written by Ono. Recording began on 6 August, with Lennon immediately setting out an efficient working mode.

Rehearsals with some of the session players took place at Apartment 71 in the Dakota on 2 and 4 August, where most of the arrangements were worked out. Work began the following month, with a group of seasoned session musicians assembled by Douglas. In July 1980, John Lennon called Yoko Ono from Bermuda, asking that she arrange sessions at New YorkвЂ™s Hit Factory studio, with Jack Douglas producing.

John lennon westone guitar double fantasy